At first glance, Sue
The drawings were all over the place, just like a big pile of rubbish.
One moment he was drawing this, the next moment he was drawing that. Furthermore, he was only drawing a part of it, and it was very messy.
However, after taking a closer look at Sue,
Everyone couldn't help but be astonished.
It was obvious that Sue
He was not deliberately drawing something, but learning various techniques.
Chinese painting techniques could actually be understood as the way Chinese painters used brushes. In other words, it was the technique of using brushes and ink, among which the ink technique included the technique of color.
During the development of Chinese painting, especially after the Yuan Dynasty (with the intervention of scholars and painters), the lyricism of Chinese painting became stronger and stronger.
The meaning of the brush and ink of China painting was no longer a simple matter of technique, but a synonym for China painting.
The spirit of China painting permeated the brush and ink style of China painting.
Simply put, the brushwork of Chinese painting was composed of dots, lines, and surfaces, and the use of lines was the most important.
Ink techniques used water to produce different changes such as thickness, light, dryness, wetness, depth, and shallowness.
China's method of drawing lines was called "using brush", and China's method of drawing with ink was called "using ink".
Be it the use of brush or ink, they were both profound and all-encompassing, and could be divided into many, many types.
For example, when using a brush, there were two types of brushes. When using a brush in the center, one had to hold the brush properly. The tip of the brush should be in the middle of the ink line, and the strength of the brush should be uniform. The tip of the brush should be perpendicular to the surface of the paper. The effect of the brush should be smooth and steady.
It was also divided into the direction of the pen and the direction of the pen. The direction of the pen generally meant that the movement of the tip of the pen was in the same direction as the tilt of the pen shaft. The effect was smooth and straight.
Reversing the direction of the brush tip (that is to say, the direction of the brush strokes is the opposite of the usual direction). The effect is dry and immature.
It was also divided into gathering tip and scattering tip. Gathering tip meant that the tips of the brush were gathered together to form a single tip.
Scattered edge meant that the tip of the brush was spread out, forming a multi-edge shape (also known as the "flowering brush"). Its effect was dry and varied.
In addition, the speed at which one used the brush would also have a great impact on the painting. When to use the brush, what kind of effect could be achieved. There were countless variations. Just the basics alone were broad and profound.
In Chinese painting, there was a saying that ink was divided into five colors, namely black, white, thick, light, dry, and wet.
The method of using ink was to reflect the rich changes in painting. "The brush is the bone, and the ink is the flesh."
Therefore, ink techniques could be said to be a method of using water.
According to the amount of water, we can divide it into five steps: burnt, thick, heavy, light, and clear.
Because ink has the characteristics of new, old, old, and change, it is divided into five types: new, old, old, and old.
Due to the different treatment of the ink, there were different images of the ink, which could be divided into five types: dry, dry, moist, wet, and dripping.
In the brush and ink, the brush technique emphasized internal energy, while the ink emphasized "life" and "change."
The predecessors had a lot of experience in using ink. To sum it up, there were mainly seven methods: thick ink method, light ink method, burnt ink method, old ink method, broken ink method, accumulated ink method, and splashed ink method.
All kinds of ink techniques were also ever-changing.
It could be said that traditional painting was very difficult to learn, and it was not easy to even get started.
Learning one of these basic techniques would probably take a lot of time. If one wanted to learn all of them and master them, it would be extremely difficult. Perhaps even after learning for two years, the progress would be limited.
As for Sue,
Now, he was going to use all kinds of techniques.
Originally, if he was so greedy for speed when he had just started learning, he was afraid that he would not be able to learn anything.
But looking at Sue..,
The first time he used the center point, there might be some shortcomings, but the second time he used it, it became much better. The third time he used it, it was close to perfection. After that, he used it again, without exception, without exception.
The other brush techniques and ink techniques were the same.
In other words, Sue,
At first glance, it looked like he was drawing some messy things, but his various techniques were rapidly becoming proficient at a terrifying speed. All kinds of difficult techniques were actually easily used by him.
"Oh my god, are my eyes playing tricks on me?
Splashing ink, he actually learned splashing ink in a few moves? "
"We have been trying to learn all kinds of difficult techniques for a long time, but he actually learned them in a few moves."
"Oh my god, look at the mountain he just drew. Is this the work of a beginner in traditional painting?"
"Could it be that he was already an expert in traditional painting and purposely pretending to be weak?"
Many people present felt that Sue was not a beginner.
He wasn't a beginner but an expert who had been learning for a long time. He was pretending to be a pig to eat a tiger, pretending to be learning step by step. Otherwise, it was impossible. There shouldn't be anyone in this world who could learn Chinese Art so quickly.
Otherwise, he was simply a monster.
Cheng Shiyao and Zhu Yan were shocked, while Huang Jinghong slightly furrowed his brows. Sue was outstanding in other aspects.
It was fine if he was outstanding in other aspects. He thought that he had an advantage in Chinese Art. But now, his confidence had suffered a huge blow.
Ignore Sue?
Regardless of whether Sue's learning ability was heaven-defying or he was already an expert in traditional painting, the result was still …..
Sue's standard in traditional painting could easily surpass his.
However, although Cheng Guyi was shocked, he believed that Sue was indeed a beginner.
Indeed, he was a beginner. Every stroke of his was to verify the question he had just asked. It looked like a mess, but in fact, he didn't waste the slightest bit of ink.
Cheng Guyi was excited. He knew that he had met a genius, a super genius, a peerless genius.
Actually, if he really wanted to say that Sue was a genius, it wouldn't be an exaggeration.
It wouldn't be an exaggeration to say that he was a genius.
Sue
He has several advantages that ordinary people don't have. First, he is already proficient in calligraphy and can be called a master of calligraphy. Although calligraphy and traditional painting can't be mentioned together, there are similarities in the use of brush and ink. A master of calligraphy will be more skilled and natural than ordinary people. Second, his memory and thinking ability is far beyond ordinary people. He can remember every detail of every technique clearly. When he writes, he will not worry about this or that. He can think of all aspects clearly. He is obviously a novice, but he is like a veteran. Third, his physical fitness is far beyond ordinary people. If he wants to write a micron, then he will write a micron. This kind of control allows him to write freely.
In addition, Sue
He is also a Spirit Reader Master. He can use his Spirit Force to construct a virtual picture and make every stroke more delicate.